By Heather Frey Blanton Copyright 2014 Heather Blanton
Not much is known about Mollie. You’ve probably never heard of her. But you know her husband. C.S. “Buck” Fly was THE photographer in Tombstone when the shoot-out at the OK Corral went down.
Mary “Mollie” McKie moved with her family to San Francisco sometime in the 1850’s, when she was around 8 or 10. The boisterous town may well be what fostered her desire for adventure, but a good upbringing kept her from falling into vice. In Defiance of the times, she took up the male-dominated hobby of photography. She also took up a husband, Samuel D. Goodrich. Apparently he wasn’t a good fit and, in a day when divorce was rare, Mollie showed him the door after only two years.
Soon, she met the dashing and adventurous Camillus Sidney “Buck” Fly, a young man who had grown up in the Napa Valley. He also loved capturing still life. We don’t know how they met. It’s a shame because they made a lasting impression on each other. We do know they married in Sept. of ‘79 and by December had arrived in the silver boomtown of Tombstone, AZ.
Within a year, they had gone from working in a tent to owning a 12-room boardinghouse that also housed the famous photography studio (the door of which was within spitting distance to the OK Corral). Buck spent a great deal of time riding the range, snapping beautiful photographs of the landscapes, as well as capturing historically valuable pictures of the Indian campaigns. A tiny gal known for her spunk, Mollie accepted the long absences and kept things humming at home. She ran the boardinghouse, took portraits for customers, and raised a daughter. Sometime in the early 1880’s, a young girl by the name of Kitty appeared on the census as a member of their household. It is not known whether she was Fly’s daughter or a simply a child they adopted, but Mollie loved her and took care of her like she was blood.
Part of that care included removing Kitty and herself from a bad situation when Fly’s drinking spiraled out of control. In ’87, Mollie divorced him and the famous photographer left Tombstone. Soldiering on, she kept the studio and boardinghouse running, but there is clear evidence she was nursing a broken heart. Mollie never remarried. She was at Fly’s side in Bisbee, AZ in 1901 when he breathed his last. She then arranged to have him buried in Tombstone, and bought him a nice, well, tombstone.
Mollie was Fly Gallery until 1912. Feeling her age, she retired to Los Angeles and died there in 1925. Prior to her death, she donated all of Fly’s negatives to the Smithsonian, well aware of the contribution her husband had made to history by chronicling the West.
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